I have been working on a series that has been evolving from an exploration of maps and topography of the California terrain. For now, I want to talk about the progress of working on the wood panel again (I started my painting career doing large panel paintings) using watercolors and gesso. The wood has such a tactile surface. I am leaving the wood to show through and am adding the gesso to create my white. I have been working in inks and watercolor lately, so this new series has me replicating the white of paper with gesso and gouache.
My source material is the topography maps and a lose interpretation of Yosemite Park. The other material is in the form of satellite views of some type of industrial storage facility. This mashup of man and environment is something that is super stimulating to me and it allows me to look at this as a beautiful painting while taking these serious and consequential issues to the foreground.
Dr. Ph. Martin’s watercolors - I am using them for their brightness and their viscosity as they are a bit thicker and almost gel like in their consistency.
The panels are 12” x 12” wood panels from Art Alternatives. I am going to do some more research on wood panels to see if I will continue to work with these (or even go back to paper). For now, they are working out great and I can seal them with Golden’s matte medium.
Using the wood panels as a surface for this exploration is a great support for the environmental impact of man on our natural surroundings. I have been looking at the question of “What is a natural disaster?” Since that is such a human centric question and it comes up when nature impacts man, even to the benefit of the land, air, and water we need to live off of.